Social History: George Olliffe at Fort St George, Madras, India

In 1905 (100 years ago) my grandfather George Olliffe was serving with the British army in Madras (now Chennai) at Fort St George in India. I have blogged his story here. He was a bandsman in the Leicestershire Regiment (1Bn) and was posted to British India in 1903 at a time when the Raj was at the height of its powers on the sub-continent. He left India in 1906.

Lt-Colonel Webb’s 1912 ‘ A History of the Services of the 17th (The Leicestershire) Regiment’ records, ‘The regiment sailed from Durban on the 7th November 1902 for Madras (from fighting in the South African Boer war), and arriving on the 30th, disembarked on the 1st December and proceeded to Fort George‘. Bandsman Olliffe arrived in Fort St George from Britain four months later on 6th March 1903.

In October 2014, I went to Chennai. One of the highlights of the trip to southern India was to visit the Fort St George military compound, some of which still houses units of the Indian military.

It was thrilling for me to walk through part of the Fort where Grandfather must have drilled, to view his old parade ground and perhaps even to look at one of his old barrack blocks.

This is a photo record of my visit to this evocative place within our own family history:

The Parade Ground and Drill Square at Fort St George

Some of the vast walls and ditches surrounding the Fort.

Another part of the compound adjacent to St Mary’s Anglican Church, the first English church built in India (1678-80).

The thought that Grandfather may have set foot, perhaps for a parade service, in this very same church was very moving.

Review – The Song of Songs: Exploring the Divine Romance

Charlie Cleverly is a fine devotional writer. As well as being Rector of the well-known St Aldates Church in Oxford, England, he is rapidly taking his rightful place among the best of our contemporary writers of faith. Every time Cleverly publishes a new book, I wait with some anticipation.

This latest book on Solomon’s Song of Songs is very good, but perhaps for me, not as impactful as his earlier, ‘Epiphanies of the Ordinary’, which to my mind was extra-ordinary – and a unique contribution to modern devotional writing.

However, we should be grateful to Charlie for opening up again what, to so many, is an inaccessible book in the Bible. I was brought up on the poetry of the Song of Solomon. My father loved it, but in the tradition of his day, regarded it purely as an allegory describing Christ and His church. Of course, it’s far, far more than that and Cleverly cleverly brings allegory and reality together, ensuring that the book is once again made relevant to today’s church and to wider society.

For my part, I think I’ve always regarded the biblical book as far more than allegorical. As an adolescent growing up in a rather rigid church environment, the text of the Song of Solomon was often an exciting and (yes, I’ll admit it!) earthy distraction in an otherwise dull church service! It was possible to be seen reading the Bible, but to be enjoying it at the same time, perhaps for all the wrong reasons!

I read Charlie Cleverly’s new book on holiday whilst staying at a couple’s only resort. The upside of the many attractive qualities of human love was clearly evident around us! His celebration of human sexuality together with the divine romance as laid out in Solomon’s ancient song is very beautiful, as is the biblical text itself.

Cleverly’s writing is wise, clear, deep, evocative and contemplative, much as in the Song itself. One detects shades and hints of the Puritan Divine in his writing. Here are eighteen chapters covering the eight chapters of the Song of Solomon in some considerable depth. In strict terms, this is not really a commentary, but more a devotional exploration of the Divine Romance and the ‘Kiss of God’.

If anything, the book may be overly long, perhaps relying too much on quoting swathes of text from the Church Fathers. Cleverly is at his best here in his application of the Song of Songs to the Church in today’s culture. I valued his perceptive point that ‘society is obsessed by sex and the Church obsessed by marriage’– and that both such emphases are wrong! He is clear that true marriage is a ‘passionate monogamy’ and has ‘exclusive permanence’. However, he is sensitive to singleness and celibacy, but oddly silent on the persistent matter of homosexuality in human relationships.

Cleverly’s notion of the pressing need for ‘Finding your voice’ (or helping to express yourself intimately) in life and relationships is also powerful and telling, and worth the price of the book alone. He writes movingly of the winter of loss and bereavement, and of the ‘dark night of the absence of God’.

I appreciated his profound insight that churches may be better if ‘presence-led’ rather than ‘purpose-driven’! The final chapter is a wonderfully uplifting rehearsal of the truth of the Maranatha future return of Jesus Christ.

Could his book have been shorter? Possibly, but actually I’m glad that it isn’t as there is much to go over again in the future. Overall, a more than worthwhile book for anyone involved in the intricacy of life’s often complex relationships.

THE SONG OF SONGS: EXPLORING THE DIVINE ROMANCE

CHARLIE CLEVERLY (HODDER FAITH)

ISBN 978-1-444-70204-0